ƒWƒƒƒY • ƒtƒ…[ƒWƒ‡ƒ“–ÚŽŸ
mƒ^sn
‚’†³‹`DDDDDDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚c‚R|‚Q‚P„
w‚’†³‹` ‚‰‚Ž ƒˆƒRƒnƒ}^ƒMƒ^[ƒtƒ@ƒ“ƒ^ƒWƒA@'‚W‚Qx
oF‚’†³‹`(guit.)/Joaquin Lievano(guit.)/T.M. Stevens(bass)/Narada
Michael Walden(drums)/Sheila Escovedo(perc.)/Frank Martin(keyboads)
‹ÈFƒuƒŒ[ƒLƒ“Eƒ‹[ƒX^ƒTƒ}[EƒŒƒfƒB[^ƒŒƒfƒBEƒgƒDEƒtƒ‰ƒC^•‘D^
ƒuƒ‹[Eƒ‰ƒO[ƒ“A‘¼‘S‚P‚P‹È
[Žû˜^F‰¡•lƒXƒ^ƒWƒAƒ€A‚P‚X‚W‚Q”N‚WŒŽ‚W“ú]
‚b‚r ‚U‚O•ª ‚m‚D‚j‚s‚k‚u‚P‚O‚O‚W
ƒ`ƒFƒbƒgEƒAƒgƒLƒ“ƒXDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚c‚S|‚P‚T„
ƒUEƒX[ƒp[ƒZƒbƒVƒ‡ƒ“@‚u
‚s‚ˆ‚…@‚r‚•‚‚…‚’@‚r‚…‚“‚“‚‰‚‚Ž@‚uD
oFƒ`ƒFƒbƒgEƒAƒgƒLƒ“ƒX(guit.)^ƒ}[ƒNEƒmƒbƒvƒ‰[^ƒ}ƒCƒPƒ‹Eƒ}ƒNƒh
ƒiƒ‹ƒh^ƒEƒBƒŠ[Eƒlƒ‹ƒ\ƒ“^ƒGƒ”ƒ@ƒŠ[Eƒuƒ‰ƒU[ƒYA‘¼
[Žû˜^FVanderbilt University, Neely Auditorium, Ten., 1987”N5ŒŽ1, 2“ú]
‚bŽš‚r ‚U‚O•ª ‚m‚D‚u‚`‚k‚i|‚R‚W‚T‚T
ƒ`ƒFƒbƒgEƒxƒCƒJ[DDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚S‚P„
wƒ`ƒFƒbƒgEƒxƒCƒJ[^‚l‚™@‚†‚•‚Ž‚Ž‚™@‚u‚‚Œ‚…‚Ž‚”‚‰‚Ž‚…x@
‚b‚ˆ‚…‚”@‚a‚‚‹‚…‚’@‚‰‚Ž@‚s‚‚‹‚™‚D
oF‚b‚ˆ‚…‚”@‚a‚‚‹‚…‚’(tpt. & vocal.)^‚g‚‚’‚‚Œ‚„@‚c‚‚Ž‚‹‚(pf.)^‚g‚…‚‰‚Ž@
‚–‚‚Ž@‚„‚…‚’@‚f‚…‚™‚Ž(bass)^‚i‚‚ˆ‚Ž@‚d‚Ž‚‡‚…‚Œ‚“(drum)
‹ÈFStella by starlight/You'd be so nice/Four/Seven steps to heaven.‘¼‘S‚V‹È
[Žû˜^F“Œ‹žAlŒ©‹L”Ou“°A‚P‚X‚W‚V”N‚UŒŽ‚P‚S“ú]
‚b‚r ‚T‚U•ª ‚m‚D‚r‚l‚O‚T‚T|‚R‚R‚X‚U
ƒ`ƒFƒbƒgEƒxƒCƒJ[FwƒŒƒbƒcEƒQƒbƒgEƒƒXƒgx
uƒhƒLƒ…ƒƒ“ƒ^ƒŠ[v‚Ì€–Úwƒ`ƒFƒbƒgEƒxƒCƒJ[x‚ðŒ©‚æB
ƒ`ƒbƒNEƒRƒŠƒADDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚U‚V„
wƒ`ƒbƒNEƒRƒŠƒA•ƒtƒŠ[ƒhƒŠƒqEƒOƒ‹ƒ_“8ƒUEƒ~[ƒeƒBƒ“ƒO“8ƒ_ƒuƒ‹E
ƒsƒAƒmEƒCƒ“ƒvƒƒ”ƒBƒ[[ƒVƒ‡ƒ“x
"The meeting" Chick Corea & Freiedrich Gulda. Double piano
improvisation.
oFƒ`ƒbƒNEƒRƒŠƒA(pf.)^ƒtƒŠ[ƒhƒŠƒqEƒOƒ‹ƒ_(pf.)
‹ÈF‚¢‚‚©‚͉¤Žq—l‚ª^ƒvƒbƒg¥ƒ†ƒA¥ƒŠƒgƒ‹¥ƒtƒbƒg¥ƒAƒEƒg^ƒ|ƒGƒ€@No.3^
ŽqŽç‰Ì(ƒuƒ‰[ƒ€ƒX)
[Žû˜^Fƒ~ƒ…ƒ“ƒwƒ“AƒhƒCƒc”Ž•¨ŠÙƒRƒ“ƒOƒŒƒXƒU[ƒ‹A‚P‚X‚W‚Q”N‚UŒŽ‚Q‚V“ú]
‚b‚r ‚T‚U•ª ‚m‚D‚T‚W‚u‚b|‚P‚O‚U
ƒ`ƒbƒNEƒRƒŠƒA
wƒ}ƒbƒRƒCEƒ^ƒCƒi[^ƒ}ƒbƒRƒCEƒ^ƒCƒi[Eƒ`ƒbƒNEƒRƒŠƒAEƒIƒ“EƒgƒDE
ƒsƒAƒmv‚ðŒ©‚æB
ƒ`ƒbƒNEƒRƒŠƒAEƒGƒŒƒNƒgƒŠƒbƒNEƒoƒ“ƒhDDDDDDDDDƒ¿‹”Ô†F‚u‚c‚R|‚W„
wƒ`ƒbƒNEƒRƒŠƒAEƒGƒŒƒNƒgƒŠƒbƒNEƒoƒ“ƒh^ƒGƒŒƒNƒgƒŠƒbƒNEƒVƒeƒBx
Chick Corea Elektric Band/ Elektric city.
oFƒ`ƒbƒNEƒRƒŠƒAEƒGƒŒƒNƒgƒŠƒbƒNEƒoƒ“ƒh
‹ÈFƒTƒCƒhƒEƒH[ƒN^ƒ‰ƒ“ƒuƒ‹^ƒGƒŒƒNƒgƒŠƒbƒN¥ƒVƒeƒB^ƒLƒ“ƒO¥ƒRƒbƒNƒ[
ƒ`^ƒSƒbƒgEƒAEƒ}ƒbƒ`^ƒXƒpƒjƒbƒVƒ…EƒEƒFƒCA‘¼‘S‚X‹È
[Žû˜^FƒXƒyƒCƒ“Eƒ}ƒhƒŠƒbƒhA‚P‚X‚W‚U”N‚TŒŽ]
‚b‚r@@@@‚T‚U•ª ‚m‚D‚o‚n‚k‚u|‚P‚V‚O‚Q
ƒ`ƒƒ[ƒŠ[Eƒp[ƒJ[DDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚S‚S„
wƒo[ƒh‚ð’Ç‚Á‚Ä`ƒ`ƒƒ[ƒŠ[Eƒp[ƒJ[‚Ì“`àx
Celebrating Bird/ The triumph of Charlie Parker.
oFƒ`ƒƒ[ƒŠ[Eƒp[ƒJ[^ƒoƒhEƒpƒEƒGƒ‹^ƒ}ƒCƒ‹ƒXEƒfƒCƒrƒXA‘¼
B&W‚bŽš‚l ‚T‚X•ª ‚m‚D‚r‚l‚O‚T‚W|‚R‚P‚V‚X
ƒfƒBƒW[EƒKƒŒƒXƒs[DDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚f‚S|‚S‚O„
w‚c‚‰‚š‚™@‚f‚‰‚Œ‚Œ‚…‚“‚‚‰‚…x
oFDizzy Gillespie(tpt.)/Coleman Hawkings(ten. sax.)/Martial Solal
(pf.)/Pierre Michelot(bass)/Kenny Clarke(drums)
‹ÈFƒWƒƒƒXƒgEƒ†[EƒAƒ“ƒhEƒ~[^ƒ`ƒ…ƒjƒWƒA‚Ì–é^ƒ‰ƒEƒ“ƒhEƒ~ƒbƒhƒiƒC
ƒg^ƒm[Eƒ‚ƒAEƒuƒ‹[ƒX^•‚¢ƒIƒ‹ƒtƒFA‘¼‘S‚P‚Q‹È
[Žû˜^Fƒtƒ‰ƒ“ƒXAƒJƒ“ƒkAƒWƒƒƒYEƒtƒFƒXƒeƒBƒ”ƒ@ƒ‹A‚P‚X‚T‚W”N‚VŒŽ
‚P‚QA‚P‚R“ú^ƒAƒ“ƒeƒB[ƒuEƒWƒƒƒYEƒtƒFƒXƒeƒBƒ”ƒ@ƒ‹A‚P‚X‚U‚Q”N‚VŒŽ
‚Q‚Q“ú]
(‚u‚‰‚Ž‚”‚‚‡‚…@‚i‚‚š‚š@‚b‚‚Œ‚Œ‚…‚ƒ‚”‚‰‚‚Ž)
B&W‚l ‚U‚O•ª ‚m‚D‚s‚n‚k‚v|‚R‚P‚P‚Q
ƒfƒBƒW[EƒKƒŒƒXƒs[DDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚T‚V„
wƒfƒBƒW[EƒKƒŒƒXƒs[^ƒ‰ƒCƒuEƒAƒbƒgEƒRƒ“ƒT[ƒcEƒoƒCEƒUEƒV[x
Dizzy Gillespie live at Concerts By The Sea.
oFDizzy Gillespie(tpt.)/Ray Brown(bass)/Valerie Capers(pf.)¤ ‘¼
‹ÈFBe-bop/Kush/Birk's works/Hard of hearing Mama/Jazz America.
[Žû˜^FƒƒTƒ“ƒWƒFƒ‹ƒXAƒRƒ“ƒT[ƒcEƒoƒCEƒUEƒV[¤ 1982”N6ŒŽ27“ú]
‚b‚r ‚T‚X•ª ‚m‚D‚l‚i‚P‚Q‚U|‚P‚T‚b‚r
ƒfƒBƒWƒ‡ƒlƒbƒgEƒnƒ“ƒRƒbƒNEƒzƒ‰ƒ“ƒhEƒƒZƒj[DDDDƒ¿‹”Ô†F‚u‚c‚R|‚T„
wƒfƒBƒWƒ‡ƒlƒbƒgEƒnƒ“ƒRƒbƒNEƒzƒ‰ƒ“ƒhEƒƒZƒj[^ƒCƒ“EƒRƒ“ƒT[ƒgx
DeJhonette, Hancock, Holland, Metheny in concert.
oFƒn[ƒr[Eƒnƒ“ƒRƒbƒN(pf.)^ƒpƒbƒgEƒƒZƒj[(guit.)^ƒfƒCƒuEƒzƒ‰ƒ“
ƒh(bass)^ƒWƒƒƒbƒNEƒfƒBƒWƒ‡ƒlƒbƒg(drums).
‹ÈFƒVƒƒƒhƒEEƒ_ƒ“ƒX^ƒCƒ“ƒfƒBƒSEƒhƒŠ[ƒ€ƒXƒPƒCƒvƒX^ƒ\ƒ‰[^ƒuƒ‹[^
ƒUEƒoƒbƒg^ƒJƒ“ƒ^ƒ[ƒvEƒAƒCƒ‰ƒ“ƒhA‘¼‘S‚P‚O‹È
[Žû˜^FƒtƒBƒ‰ƒfƒ‹ƒtƒBƒA“8ƒƒƒ“EƒWƒƒƒYEƒtƒFƒDƒeƒBƒoƒ‹A‚P‚X‚X‚O”N
‚UŒŽ‚Q‚R“ú]
‚b‚r@@@@‚X‚X•ª ‚m‚D‚u‚`‚k‚i|‚R‚Q‚Q‚U
ƒfƒCƒuEƒuƒ‹[ƒxƒbƒNDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚R‚S„
wƒfƒCƒuEƒuƒ‹[ƒxƒbƒN ‚v‚‰‚”‚ˆ ƒ|[ƒ‹EƒfƒXƒ‚ƒ“ƒh^ƒfƒCƒuEƒuƒ‹[ƒxƒb
ƒN‚ÌÑ‘œx
‚c‚‚–‚…@‚a‚’‚•‚‚‚…‚ƒ‚‹@‚@‚‚•‚“‚‰‚ƒ‚‚Œ@‚‚‚’‚”‚’‚‚‰‚”D
‚P‚X‚W‚P@§F‰p‘F‚a‚a‚b
oFƒfƒCƒuEƒuƒ‹[ƒxƒbƒN(pf.)^ƒ|[ƒ‹EƒfƒXƒ‚ƒ“ƒh(alto sax.)¤ ‘¼
‹ÈFTake five/Take the "A" Train/Three to get ready, ‘¼
‚bŽš‚l ‚V‚X•ª ‚m‚D‚f‚W‚W‚l‚O‚O‚Q‚X
ƒeƒi[Eƒ^ƒCƒ^ƒ“^‹l‚½‚¿‚̈âŽY
w‹l‚½‚¿‚̈âŽY^ƒeƒi[Eƒ^ƒCƒ^ƒ“(ƒeƒi[EƒTƒbƒNƒX•Ò)x‚ðŒ©‚æB
ƒfƒ…[ƒNEƒGƒŠƒ“ƒgƒ“ DDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚U‚W„
wDuke Ellington at the C‡Ue d'Azuar with Ella Fitzgerald and Joan
Mir…ax
oFƒfƒ…[ƒNEƒGƒŠƒ“ƒgƒ“Šy’c^ƒGƒ‰EƒtƒBƒbƒcƒWƒFƒ‰ƒ‹ƒh(vocal.)^ƒWƒ~[E
ƒWƒ‡[ƒ“ƒY(pf.)A‘¼
‹ÈFƒTƒeƒ“Eƒh[ƒ‹^ƒTƒ€ƒVƒ“ƒOEƒgƒDEƒŠƒuEƒtƒH[^ƒWƒƒƒYEƒTƒ“ƒoA‘¼
[Žû˜^FƒR[ƒgEƒ_ƒWƒ…[ƒ‹A‚P‚X‚U‚U”N]
B&W‚l ‚U‚U•ª ‚m‚D‚r‚l‚O‚U‚W|‚R‚Q‚U‚P
ƒfƒ…[ƒNEƒGƒŠƒ“ƒgƒ“DDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚R‚W„
wƒIƒ“EƒUEƒ[ƒhEƒEƒBƒYEƒfƒ…[ƒNEƒGƒŠƒ“ƒgƒ“x
‚n‚Ž ‚”‚ˆ‚… ‚’‚‚‚„ ‚—‚‰‚”‚ˆ ‚c‚•‚‹‚… ‚d‚Œ‚Œ‚‰‚Ž‚‡‚”‚‚ŽD
‚P‚X‚V‚S •Ä ŠÄFƒƒo[ƒgEƒhƒŠƒ…[@ƒiFƒhƒ“Eƒ‚ƒ[@
‚b‚l@@@@‚T‚W•ª ‚m‚D‚T‚W‚O‚k|‚P
ƒgƒD[ƒcEƒV[ƒ‹ƒ}ƒ“ƒXDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚c‚R|‚P‚Q„
wƒgƒD[ƒcEƒV[ƒ‹ƒ}ƒ“ƒX@ƒCƒ“@ƒjƒ…[ƒIƒŠƒ“ƒYx
‚s‚‚‚”‚“@‚s‚ˆ‚‰‚…‚Œ‚…‚‚‚Ž‚“@‚‰‚Ž@‚m‚…‚—@‚n‚’‚Œ‚…‚‚Ž‚“D
oFToots Thielemans(harm. & guit.)/Fred Hersch(pf.)/Harvie Swartz
(bass)/Adam Nussbnaum(drums)
‹ÈFThe days of wine and roses/'Round midnight`Little rootie tootie/
Meaning of the blues/On Green Dolphin Street/If you go awayA‘¼‘S‚W‹È
[Žû˜^:New Orleans, Lulu White's Mahogany Hall, 1988”N]
‚b‚r@@@@‚T‚P•ª ‚m‚D‚o‚h‚k‚i|‚P‚O‚P‚T
ƒWƒƒƒY • ƒtƒ…[ƒWƒ‡ƒ“–ÚŽŸ
mƒisn
ƒiƒbƒgEƒLƒ“ƒOEƒR[ƒ‹DDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚U‚S„
wƒiƒbƒgEƒLƒ“ƒOEƒR[ƒ‹^ƒAƒtƒ^[Eƒ~ƒbƒhƒiƒCƒgEƒƒ“ƒXEƒ‚ƒAx
Nat King Cole/After midnight once more.
oFƒiƒbƒg¥ƒLƒ“ƒO¥ƒR[ƒ‹(vocal. & pf.)^ƒ‹ƒm[EƒWƒ‡[ƒ“ƒY(tpt.)^ƒWƒ‡
ƒ“EƒRƒŠƒ“ƒY(guit.)^ƒ`ƒƒ[ƒŠ[EƒnƒŠƒX(bass)A‘¼
‹ÈFƒgƒD[Eƒ„ƒ“ƒO^ƒvƒŠƒeƒ“ƒh^ƒ‚ƒiEƒŠƒT^ŒÍ—t^•çîA‘¼‘S‚P‚W‹È
[Žû˜^F“Œ‹žA‚s‚a‚r@‚bƒXƒ^ƒWƒIA‚P‚X‚U‚P”N‚TŒŽ‚P‚O“ú]
B&W‚l ‚T‚O•ª ‚m‚D‚k‚O‚W‚O|‚P‚P‚Q‚R
ƒjƒ…[ƒ|[ƒgEƒWƒƒƒYEƒtƒFƒXƒeƒBƒoƒ‹@“7‚U‚QDDDDDƒ¿‹”Ô†F‚u‚f‚S|‚T‚T„
‚m‚…‚—‚‚‚’‚”@‚i‚‚š‚š@‚e‚…‚“‚”‚‰‚–‚‚Œ@‚U‚QD
oFƒIƒXƒJ[Eƒs[ƒ^[ƒ\ƒ“EƒgƒŠƒI^ƒ‰ƒ“ƒo[ƒgAƒwƒ“ƒhƒŠƒbƒNƒX•ƒwƒ”ƒ@
ƒ“^ƒ[ƒ‰ƒ“ƒh¥ƒJ[ƒN¥ƒJƒ‹ƒeƒbƒg^ƒNƒ‰ƒ‰EƒEƒH[ƒhEƒSƒXƒyƒ‹EƒVƒ“ƒK[
ƒY^ƒjƒ…[ƒ|[ƒgEƒI[ƒ‹ƒXƒ^[ƒY^ƒfƒ…[ƒNEƒGƒŠƒ“ƒgƒ“EƒI[ƒPƒXƒgƒ‰^
ƒJƒEƒ“ƒgEƒxƒCƒV[EƒI[ƒPƒXƒgƒ‰
‹ÈFblues for Scotia/Come on home/Moanin'/Three for the Festival/This
little light of mine/When the saints go marching in, ‘¼‘S‚P‚V‹È
‚b‚l ‚T‚P•ª ‚m‚D‚s‚n‚k‚v|‚R‚P‚U‚Q
ƒWƒƒƒY • ƒtƒ…[ƒWƒ‡ƒ“–ÚŽŸ
mƒnsn
ƒpƒbƒgEƒƒZƒj[DDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚f‚S|‚S‚V„
wƒpƒbƒgEƒƒZƒj[^ƒ‚ƒAEƒgƒ‰ƒ”ƒFƒ‹ƒYx
‚o‚‚”@‚l‚…‚”‚ˆ‚…‚Ž‚™@‚f‚’‚‚•‚^‚l‚‚’‚…@‚”‚’‚‚–‚…‚Œ‚“D
oFƒpƒbƒgEƒƒZƒj[(guit.)^ƒ‰ƒCƒ‹EƒƒCƒY(key.)^ƒA[ƒ}ƒ“ƒhEƒ}[ƒT
ƒ‹(perc.)^ƒXƒeƒB[ƒ”Eƒƒhƒr[(bass)^ƒyƒhƒEƒAƒYƒi[ƒ‹(vocal)^ƒ|[
ƒ‹Eƒ[ƒeƒBƒR(drums)
‹ÈFƒnƒ”Eƒ†[Eƒn[ƒh^‚‚¢‚Ä‚¨‚¢‚Å^ƒU¥ƒtƒ@[ƒXƒg¥ƒT[ƒNƒ‹^ƒT[ƒhE
ƒEƒBƒ“ƒh^ƒŒƒ^[Eƒtƒƒ€Eƒz[ƒ€A‘¼‘S‚P‚O‹È
[Žû˜^Fƒ{ƒXƒgƒ“AƒTƒCƒNƒƒ‰ƒ}Eƒz[ƒ‹A‚P‚X‚X‚P”N‚VŒŽ‚Q‚X“ú`‚WŒŽ‚Q“ú]
‚bB&W‚r ‚V‚O•ª ‚m‚D‚u‚`‚k‚i|‚R‚Q‚X‚T
ƒoƒfƒBEƒŠƒbƒ`DDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚S‚R„
wƒoƒfƒBEƒŠƒbƒ`^ƒ‰ƒCƒuEƒIƒ“EƒLƒ“ƒOEƒXƒgƒŠ[ƒgx
Buddy Rich and his Band/ Mr. Drums .
Live on King Street San Francisco.
‹ÈFMachin/Best coast/One o'clock jump.@‘¼‘S‚W‹È@
[Žû˜^FƒTƒ“ƒtƒ‰ƒ“ƒVƒXƒRA‚P‚X‚W‚T”N‚SŒŽ‚R“ú]
‚b‚r ‚T‚T•ª ‚m‚D‚r‚l‚O‚T‚W|‚R‚O‚P‚S
ƒoƒhEƒpƒEƒGƒ‹DDDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚f‚S|‚Q‚V„
w‚a‚•‚„@‚o‚‚—‚…‚Œ‚Œx
oFBud Powell(pf.)^Barney Wilen(ten. sax.)^Clark Terry(tpt.)^
Pierre Michelot(bass)^Kenny Clarke(drums)^Lucky Thompson(ten. sax.)
^Jimmy Gourley(guit.)
‹ÈFƒNƒƒbƒVƒ“EƒUEƒ`ƒƒƒ“ƒlƒ‹^ŠëŒ¯‚ÈŠÖŒW‚̃uƒ‹[ƒX^ƒuƒ‹[ƒXEƒCƒ“E
ƒUEƒNƒ[ƒ[ƒbƒg^ƒAƒ“ƒ\ƒƒ|ƒƒW[A‘¼‘S‚X‹È
[Žû˜^Fƒtƒ‰ƒ“ƒXAƒNƒ‰ƒuEƒTƒ“ƒWƒFƒ‹ƒ}ƒ“A‚P‚X‚T‚X”N‚P‚OŒŽ‚P‚R“ú^ƒtƒ‰
ƒ“ƒXAƒuƒ‹[ƒm[ƒgA‚P‚X‚T‚X”N‚P‚QŒŽ‚Q‚V“ú]
(‚u‚‰‚Ž‚”‚‚‡‚…@‚i‚‚š‚š@‚b‚‚Œ‚Œ‚…‚ƒ‚”‚‰‚‚Ž)
B&W‚l ‚R‚O•ª ‚m‚D‚s‚n‚k‚v|‚R‚P‚O‚V
ƒsƒAƒmEƒŒƒWƒFƒ“ƒh^‹l‚½‚¿‚̈âŽY
w‹l‚½‚¿‚̈âŽY^ƒsƒAƒmEƒŒƒWƒFƒ“ƒhx‚ðŒ©‚æB
ƒrƒŠ[EƒzƒŠƒfƒBDDDDDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚s|‚T„
wƒrƒŠ[EƒzƒŠƒfƒB^ƒUEƒƒ“ƒOEƒiƒCƒgEƒIƒuEƒŒƒfƒBEƒfƒC@‚P‚X‚P‚T`
‚P‚X‚T‚Xx
The long night of lady/Billie Holiday 1915`1959.
oFƒrƒŠ[EƒzƒŠƒfƒB(vocal.)A‘¼
‹ÈFEasy to remember/Gloomy Sunday/Strange fruit/Yesterdays.@‘¼‚Q‚S‹È
B&W(Ê߰Ķװ)‚l ‚U‚V•ª ‚m‚D‚s‚d|‚l‚R‚S‚W
ƒrƒŠ[EƒzƒŠƒfƒBDDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚c‚R|‚Q‚O„
wƒrƒŠ[EƒzƒŠƒfƒB‚Ì^ŽÀx
Lady day/The many faces of Billie Holiday.
oFƒrƒŠ[¥ƒzƒŠƒfƒB^ƒ‹ƒC¥ƒA[ƒ€ƒXƒgƒƒ“ƒO^ƒxƒbƒV[EƒXƒ~ƒX^ƒeƒfƒBE
ƒEƒBƒ‹ƒ\ƒ“^ƒŒƒXƒ^[Eƒ„ƒ“ƒO^ƒxƒ“EƒEƒFƒuƒXƒ^[^ƒ}ƒ‹EƒEƒHƒ‹ƒhƒƒ“A
^ƒJ[ƒƒ“Eƒ}ƒNƒŒƒGA‘¼
‹ÈFƒSƒbƒhEƒuƒŒƒXEƒUEƒ`ƒƒƒCƒ‹ƒh^ƒZƒ“ƒgƒ‹ƒCƒXEƒuƒ‹[ƒX^Šï–‚ȉʎÀ
^ƒuƒ‹[ƒXEƒA[EƒuƒŠƒ…[ƒCƒ“^ŒŽŒõ‚Ì‚¢‚½‚¸‚çA‘¼‘S‚R‚P‹È
B&W(Ê߰Ķװ)‚r ‚T‚X•ª ‚m‚D‚u‚`‚k‚i|‚R‚P‚U‚U
ƒrƒ‹EƒGƒ”ƒ@ƒ“ƒXDDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚f‚S|‚S‚R„
wƒrƒ‹EƒGƒ”ƒ@ƒ“ƒXEƒ‰ƒXƒgEƒpƒtƒH[ƒ}ƒ“ƒXx
‚a‚‰‚Œ‚Œ@‚d‚–‚‚Ž‚“@‚Œ‚‚“‚”@‚‚…‚’‚†‚‚’‚‚‚Ž‚ƒ‚…D
oFƒrƒ‹EƒGƒ”ƒ@ƒ“ƒXEƒgƒŠƒI[ƒrƒ‹EƒGƒ”ƒ@ƒ“ƒX(ƒsƒAƒm)^ƒ}[ƒNEƒWƒ‡ƒ“
ƒ\ƒ“(ƒx[ƒX)^ƒWƒ‡[Eƒ‰ƒo[ƒoƒ‰(ƒhƒ‰ƒ€ƒX)]
‹ÈFƒŠEƒp[ƒ\ƒ“EƒAƒCEƒjƒ…[^ƒ~ƒbƒhƒiƒCƒgEƒ€[ƒh^‚l‚‚“‚ˆ^ƒNƒƒC
ƒGƒbƒgEƒiƒE^ƒAƒbƒvEƒEƒBƒYEƒUEƒ‰[ƒN^ƒCƒ“Eƒ†ƒAEƒIƒEƒ“EƒXƒEƒB[
ƒgEƒEƒFƒC^ƒ}ƒCEƒƒ}ƒ“ƒXA‘¼‘S‚X‹È
‚b‚l ‚T‚X•ª@ ‚m‚D‚u‚h‚k‚i|‚P
ƒrƒ‹EƒGƒ”ƒ@ƒ“ƒXDDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚f‚S|‚P‚U„
wƒ†ƒjƒo[ƒTƒ‹Eƒ}ƒCƒ“ƒhEƒIƒuEƒrƒ‹EƒGƒ”ƒ@ƒ“ƒXx
‚s‚ˆ‚…@‚•‚Ž‚‰‚–‚…‚’‚“‚‚Œ@‚‚‰‚Ž‚„@‚‚†@‚a‚‰‚Œ‚Œ@‚d‚–‚‚Ž‚“D
The creative process and self-teaching.
oFƒrƒ‹EƒGƒ”ƒ@ƒ“ƒX(ƒsƒAƒm)^ƒnƒŠ[EƒGƒ”ƒ@ƒ“ƒX^is–ðFƒXƒeƒB[ƒuE
ƒAƒŒƒ“@‹ÈFSpartacus love theme/How about you/Star eyes/Very early/
Time remembered/My bells.
B&W‚l @‚S‚T•ª ‚m‚D‚u‚o‚k‚q|‚V‚O‚P‚U‚R
ƒuƒ‰ƒWƒ‹Œ¶‘z
w‚i‚‚š‚š‚–‚‰‚“‚‰‚‚ŽD‚Wx‚ðŒ©‚æB
ƒtƒ‰ƒ“ƒNEƒVƒiƒgƒ‰DDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚U‚U„
wƒtƒ‰ƒ“ƒNEƒVƒiƒgƒ‰‚—‚‰‚”‚ˆƒNƒCƒ“ƒV[EƒWƒ‡[ƒ“ƒYx
Frank Sinatra/Portrait of an album with Quincy Jones and Orchestra.
oFƒtƒ‰ƒ“ƒNEƒVƒiƒgƒ‰(vocal.)^ƒNƒCƒ“ƒV[EƒWƒ‡[ƒ“ƒY(cond.)^ƒWƒ‡[
ƒWEƒxƒ“ƒ\ƒ“(guit.)^ƒWƒ‡[Eƒjƒ…[ƒ}ƒ“(tpt.)^ƒ‰ƒCƒIƒlƒ‹Eƒnƒ“ƒvƒgƒ“
(vib.)^ƒ{ƒuEƒWƒF[ƒ€ƒX(pf. & syn.)A‘¼
‹ÈFThe best of everthing /Mack the knife/L.A. is my lady.@‘¼‘S‚P‚P‹È
[Žû˜^Fƒjƒ…[ƒˆ[ƒN^ƒƒTƒ“ƒ[ƒ‹ƒXA‚P‚X‚W‚S”N‚SŒŽ‚P‚R“ú`‚P‚V“ú]
‚bŽš‚r ‚U‚O•ª ‚m‚D‚f‚V‚W‚l‚T‚T‚P‚T
ƒuƒ‰ƒ“ƒtƒH[ƒhEƒ}ƒ‹ƒTƒŠƒXDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚f‚S|‚S‚W„
w‚a‚’‚‚Ž‚†‚‚’‚„@‚l‚‚’‚“‚‚Œ‚‰‚“^‚r‚”‚…‚…‚x
oFƒUEƒuƒ‰ƒ“ƒtƒH[ƒhEƒ}ƒ‹ƒTƒŠƒXEƒNƒ@ƒ‹ƒbƒeƒbƒgmƒuƒ‰ƒ“ƒtƒH[ƒhEƒ}
ƒ‹ƒTƒŠƒX(sax.)^ƒPƒj[EƒJ[ƒNƒ‰ƒ“ƒh(pf.)^ƒfƒ‹ƒo[ƒgEƒtƒFƒŠƒbƒNƒX
(bass)^ƒ‹ƒCƒXEƒiƒbƒVƒ…(drums)nA‘¼
‹ÈFƒXƒEƒBƒ“ƒMƒ“EƒAƒbƒgEƒUEƒwƒ”ƒ“^ƒuƒ[ƒhƒEƒFƒCEƒt[ƒ‹ƒY^ƒ\ƒ‹ƒX
ƒeƒBƒX^ƒ‰ƒƒ“ƒg^ƒƒ“ƒWƒFƒŠƒX^ƒWƒƒƒCƒAƒ“ƒgEƒXƒeƒbƒvƒXA‘¼‘S‚P‚P‹È
[Žû˜^Fƒm[ƒXEƒLƒƒƒƒ‰ƒCƒiAƒXƒsƒŠƒbƒgEƒXƒNƒGƒAEƒA[ƒgEƒZƒ“ƒ^[A
‚P‚X‚W‚V”N‚P‚PŒŽ‚P‚R“ú]
‚b‚r ‚X‚O•ª@ ‚m‚D‚u‚`‚k‚y|‚Q‚O‚P‚S
ƒvƒŒƒCƒ{[ƒCEƒWƒƒƒYEƒtƒFƒXƒeƒBƒoƒ‹@‚u‚‚ŒD‚P DDƒ¿‹”Ô†F‚u‚e‚P‚P|‚U‚X„
w‚o‚Œ‚‚™‚‚‚‚™@‚i‚‚š‚š@‚e‚…‚“‚”‚‰‚–‚‚Œ@‚u‚‚ŒD‚Px
oFƒ‰ƒCƒIƒlƒ‹Eƒnƒ“ƒvƒgƒ“^ƒOƒ[ƒo[EƒƒVƒ“ƒgƒ“^ƒiƒ“ƒV[EƒEƒCƒ‹ƒ\
ƒ“^ƒtƒŒƒfƒB[¥ƒnƒo[ƒh^ƒ}ƒbƒRƒC¥ƒ^ƒCƒi[^ƒƒ“EƒJ[ƒ^[^ƒGƒ‹ƒrƒ“E
ƒWƒ‡[ƒ“ƒYA‘¼
[Žû˜^FƒƒTƒ“ƒ[ƒ‹ƒXAƒnƒŠƒEƒbƒhEƒ{ƒEƒ‹A‚P‚X‚W‚Q”N‚UŒŽ]
‚b‚r ‚X‚O•ª ‚m‚D‚f‚W‚W‚l‚O‚O‚P‚S
ƒtƒŒƒfƒBEƒnƒo[ƒhDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚V‚P„
w‚e‚’‚…‚„‚„‚‰‚…@‚g‚•‚‚‚‚‚‚’‚„@‚‚”@‚a‚Œ‚•‚…@‚m‚‚”‚…@‚s‚‚‹‚™‚x
oFFreddie Habbard(tpt. & flh.)^Don Braden(ten. sax.)^Benny Green
(pf.)^Jeff Chambers(bass)^Carl Allen(drums)
‹ÈFBolivia/All of you/Up jumped spring/Stardust`Body and soul/The
intrepid foxD
[Žû˜^F“Œ‹žAƒuƒ‹[ƒm[ƒg“Œ‹žA‚P‚X‚X‚O”N‚SŒŽ‚T“ú]
‚b‚r@@@@‚T‚X•ª ‚m‚D‚o‚h‚k‚i|‚P‚O‚P‚P
ƒxƒj[EƒOƒbƒhƒ}ƒ“DDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚Q‚X„
wƒxƒj[EƒOƒbƒhƒ}ƒ“EƒXƒyƒVƒƒƒ‹Eƒ‰ƒCƒux
Benny Goodman special live/King of Swing.
oFƒxƒj[EƒOƒbƒhƒ}ƒ“(Cl.)^ƒeƒfƒBEƒEƒBƒ‹ƒ\ƒ“(pf.)^ƒgƒj[Eƒeƒ‰ƒ“
(tpt.)A‘¼
‹ÈFƒAƒ”ƒ@ƒƒ“^g‚àS‚à^¢ŠE‚Í“ú‚Ìo‚ð‘Ò‚Á‚Ä‚¢‚éA‘¼‘S‚P‚R‹È
[Žû˜^FƒI[ƒŒƒbƒNƒXEƒWƒƒƒYEƒtƒFƒXƒeƒBƒoƒ‹F“Œ‹žA“ú–{•“¹ŠÙA
‚P‚X‚W‚O”N‚XŒŽ‚R“ú]
‚b‚r ‚S‚W•ª ‚m‚D‚k‚O‚V‚W|‚P‚O‚T‚R
ƒ{ƒTEƒmƒ”ƒ@EƒXƒyƒVƒƒƒ‹
w‚i‚‚š‚š‚–‚‰‚“‚‰‚‚ŽD‚Sx‚ðŒ©‚æB
ƒ{ƒuEƒWƒF[ƒ€ƒXDDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚f‚S|‚Q‚W„
w‚a‚‚‚@‚i‚‚‚…‚“@‚†‚‚’@‚”‚ˆ‚…@‚’‚…‚ƒ‚‚’‚„x
oFBob James(keybds.)/Lee Ritenour/Dean Brown(guit.)/Kirk Whalum(ten.
sax.)/Nathan East/Gary King(bass)/Harvey Mason/Yogi Hortonn(drums)/
Alex Zonjic(fl.)/Leonard "Doc" Gibbs(perc.)
‹ÈFTouch down/Westchester lady/Never enough/Ashanti/The internal
triangle/Angela: Theme from Taxi/The island.
‚bB&W‚r‚l @‚U‚O•ª ‚m‚D‚v‚o‚k‚o|‚X‚O‚V‚U
ƒWƒƒƒY • ƒtƒ…[ƒWƒ‡ƒ“–ÚŽŸ
mƒ}sn
ƒ}ƒCƒ‹ƒXEƒfƒCƒrƒXDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚R‚U„
wƒTƒEƒ“ƒhEƒIƒuEƒ}ƒCƒ‹ƒXEƒfƒCƒrƒXx
‚s‚ˆ‚…@‚“‚‚•‚Ž‚„@‚‚†@‚l‚‰‚Œ‚…‚“@‚c‚‚–‚‰‚“D
oFƒ}ƒCƒ‹ƒX¥ƒfƒCƒrƒX(tpt.)^ƒWƒ‡ƒ“¥ƒRƒ‹ƒgƒŒ[ƒ“(ten. sax.)^ƒ|[ƒ‹E
ƒ`ƒFƒ“ƒo[ƒX(bass)^ƒEƒBƒ“ƒgƒ“EƒPƒŠ[(pf.)^ƒWƒ~[EƒRƒu(drums)
‹ÈFSo what/The Duke/Blues for Pablo/New rhumba.
B&W‚l @‚Q‚V•ª ‚m‚D‚s‚d|‚c‚O‚R‚Q
ƒ}ƒCƒ‹ƒXEƒfƒCƒrƒXDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚Q‚U„
wƒ}ƒCƒ‹ƒXEƒfƒCƒrƒXEƒ‰ƒCƒu“7‚W‚Tx
‚l‚‰‚Œ‚…‚“@‚c‚‚–‚‰‚“@‚Œ‚‰‚–‚…@‚‰‚Ž@‚l‚‚Ž‚”‚’‚…‚‚ŒD
oFƒ}ƒCƒ‹ƒX¥ƒfƒCƒrƒX(tpt.)^ƒ{ƒu¥ƒo[ƒO(sax.)^ƒWƒ‡ƒ“¥ƒXƒRƒtƒB[ƒ‹ƒh
(guit.)^ƒƒo[ƒg¥ƒA[ƒrƒ“ƒO(key bd.)^ƒrƒ“ƒX¥ƒEƒCƒ‹ƒo[ƒ“(drums)A‘¼
‹ÈFOne phone call/Human nature/Jean Pierre.@‘¼‘S‚U‹È
[Žû˜^Fƒ‚ƒ“ƒgƒŠƒI[ƒ‹EƒWƒƒƒYEƒtƒFƒXƒeƒBƒoƒ‹A‚P‚X‚W‚T”N‚VŒŽ‚Q‚W“ún
‚b‚r ‚T‚X•ª ‚m‚D‚r‚l‚O‚R‚T|‚R‚R‚U‚X@@@@@@
ƒ}ƒbƒRƒCEƒ^ƒCƒi[DDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚V‚R„
wƒ}ƒbƒRƒCEƒ^ƒCƒi[EƒsƒAƒmEƒCƒ“ƒvƒƒ”ƒBƒ[ƒCƒVƒ‡ƒ“x
@@@‚PDuƒ}ƒbƒRƒCEƒ^ƒCƒi[EƒsƒAƒmEƒ\ƒv
McCoy Tyner piano solo.
oFƒ}ƒbƒRƒCEƒ^ƒCƒi[(pf.)
‹ÈFƒCƒ“ƒgƒƒ_ƒNƒVƒ‡ƒ“^ƒCƒ“EƒAEƒZƒ“ƒeƒBƒƒ“ƒ^ƒ‹Eƒ€[ƒh^ƒVƒFƒCƒYE
ƒIƒuEƒ‰ƒCƒg^ƒCƒbƒcEƒ†[EƒIƒAEƒm[ƒƒ“^ƒoƒ‰ƒbƒhEƒtƒH[EƒAƒCƒVƒƒ
@@@‚QDuƒ}ƒbƒRƒCEƒ^ƒCƒi[Eƒ`ƒbƒNEƒRƒŠƒAEƒIƒ“EƒgƒDEƒsƒAƒmv
McCoy Tyner-Chick Corea on two piano.
oFƒ}ƒbƒRƒCEƒ^ƒCƒi[(pf.)^ƒ`ƒbƒNEƒRƒŠƒA(pf.)
‹ÈFƒŠƒYƒ}ƒjƒ“ƒO
[Žû˜^Fƒ~ƒ…ƒ“ƒwƒ“EƒsƒAƒm‚̉ē7‚W‚R‚É‚ÄA‚P‚X‚W‚R”N‚VŒŽ‚P‚S“ú]
‚b‚r@@@@‚T‚T•ª ‚m‚D‚U‚W‚u‚i|‚R
ƒ}ƒfƒBEƒEƒH[ƒ^[ƒYDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚f‚S|‚T‚W„
wƒ}ƒfƒBEƒEƒH[ƒ^[ƒYEƒ‰ƒCƒ”@“7‚W‚Px
‚l‚•‚„‚„‚™@‚v‚‚”‚…‚’‚“@‚k‚‰‚–‚…@“7‚W‚PD
‹ÈFHoochie Cooochie Man/My Home is in the Delta/Baby, You don't Have
to Go/I'm a King Bee/Baby, Please Don't Go/Long Distance Call, ‘¼‘S10‹È
mŽû˜^FƒAƒCƒIƒAƒƒCƒ“ƒeƒiƒ“ƒXEƒVƒ‡ƒbƒvA‚P‚X‚W‚P”N‚P‚PŒŽ‚X“ún
‚b‚l ‚U‚O•ª ‚m‚D‚u‚q‚k‚q|‚V‚O‚R‚R‚O
ƒ}ƒ“ƒnƒbƒ^ƒ“EƒWƒƒƒYEƒNƒCƒ“ƒeƒbƒgDDDDDDDDDDDƒ¿‹”Ô†F‚u‚c‚R|‚V„
w‚l‚‚Ž‚ˆ‚‚”‚‚Ž@‚i‚‚š‚š@‚p‚•‚‰‚Ž‚”‚…‚”x
oFƒ}ƒ“ƒnƒbƒ^ƒ“EƒWƒƒƒYEƒNƒCƒ“ƒeƒbƒg
‹ÈFƒ~ƒXƒ^[‚o.‚b.^ƒIƒ“EƒAEƒNƒŠƒAEƒfƒC^ƒjƒ…[ƒˆ[ƒN‚Ì‘z‚¢^ƒŠƒJ[
ƒhEƒ{ƒTƒmƒo^ŒÍ—t^ƒ‰ƒEƒ“ƒhEƒ~ƒbƒhƒiƒCƒg^ƒ}ƒCEƒtƒ@ƒj[Eƒ”ƒ@ƒŒƒ“ƒ^
ƒCƒ“^ƒƒUƒŠƒI
[Žû˜^F“Œ‹žA’†–ìƒTƒ“ƒvƒ‰ƒU^˜Z–{–؃sƒbƒgEƒCƒ“A‚P‚X‚W‚U”N]
‚b‚r@@@@‚W‚W•ª ‚m‚D‚j‚h‚k‚l|‚U
ƒ}ƒ“ƒnƒbƒ^ƒ“Eƒgƒ‰ƒ“ƒXƒtƒ@[DDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚c‚Q|‚P‚R„
wƒ}ƒ“ƒnƒbƒ^ƒ“Eƒgƒ‰ƒ“ƒXƒtƒ@[^‚u‚‚ƒ‚‚Œ‚…‚“‚…@‚Œ‚‰‚–‚…@‚P‚X‚W‚Ux
‚l‚‚Ž‚ˆ‚‚”‚‚Ž@‚s‚’‚‚Ž‚“‚†‚…‚’D
‹ÈFƒtƒH[Eƒuƒ‰ƒU[ƒX^ƒn[ƒcEƒfƒBƒUƒCƒA^ƒo[ƒhƒ‰ƒ“ƒh^ƒŒƒCƒYEƒƒb
ƒNƒnƒEƒXA‘¼‘S‚P‚X‹È
[Žû˜^F“Œ‹žA’†–ìƒTƒ“ƒvƒ‰ƒUA‚P‚X‚W‚U”N‚Q‚O“ú•‚Q‚P“ú]
‚b‚r ‚W‚O•ª ‚m‚D‚u‚`‚k|‚R‚W‚P‚V
ƒ~ƒ…[ƒWƒbƒNEƒCƒ“Eƒ‚ƒ“ƒNEƒ^ƒCƒ€^ƒZƒƒjƒAƒXEƒ‚ƒ“ƒN‚̉¹Šy‚Æl
DDDDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚R‚Q„
Thelonious Spher Monk: A retrospective tribute/Music in Monk time.
oFƒZƒƒjƒAƒX¥ƒ‚ƒ“ƒN(pf.)^ƒ`ƒƒ[ƒŠ[Eƒ‰ƒEƒY(ten. sax.)^ƒ~ƒ‹ƒg¥ƒWƒƒ
ƒNƒ\ƒ“(vib.)^ƒfƒBƒW[EƒKƒŒƒXƒs[(tpt.)^ƒJ[ƒƒ“Eƒ}ƒNƒŒ[(vocal.)A
‘¼@ƒzƒXƒgFƒWƒ‡ƒ“Eƒwƒ“ƒhƒŠƒbƒNƒX
‹ÈFBlue Monk/52nd Street theme/In waled bud/'round midnight/Come in
the Hudson/Little rootie tootie,@‘¼‘S‚P‚P‹È
B&W(Ê߰Ķװ)‚r ‚U‚O•ª ‚m‚D‚V‚W‚k‚l|‚Q‚Q
ƒ‚ƒ_ƒ“EƒWƒƒƒYEƒJƒ‹ƒeƒbƒgDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚Q‚Q„
wƒAƒQƒCƒ“EƒUEƒ‚ƒ_ƒ“EƒWƒƒƒYEƒJƒ‹ƒeƒbƒgx
‚`‚‡‚‚‰‚Ž@‚s‚ˆ‚…@‚l‚‚„‚…‚’‚Ž@‚i‚‚š‚š@‚p‚•‚‚’‚”‚…‚”D
oFƒ‚ƒ_ƒ“EƒWƒƒƒYEƒJƒ‹ƒeƒbƒg
‹ÈFSoftly as in a morning sunrise/Confirmation/DjangoC‘¼‘S‚P‚R‹È
[Žû˜^F“Œ‹žA“ú–{•“¹ŠÙA‚P‚X‚W‚P”N‚P‚OŒŽ‚Q‚O“ú]
‚b‚r ‚V‚X•ª ‚m‚D‚l‚i‚O‚S‚Q|‚Q‚T‚k‚c
ƒ‚ƒ_ƒ“EƒWƒƒƒYEƒJƒ‹ƒeƒbƒgDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚f‚S|‚T‚O„
wƒ‚ƒ_ƒ“EƒWƒƒƒYEƒJƒ‹ƒeƒbƒg^ƒAƒjƒo[ƒTƒŠ[EƒRƒ“ƒT[ƒg@‚u‚‚ŒD‚PF
ƒWƒƒƒ“ƒSx
The Modern Jazz Quartet/ Aniversary concert Vol.1.
oFƒ‚ƒ_ƒ“EƒWƒƒƒYEƒJƒ‹ƒeƒbƒgmƒWƒ‡ƒ“Eƒ‹ƒCƒX(pf.)^ƒ~ƒ‹ƒgEƒWƒƒƒNƒ\
ƒ“(vib.)^ƒp[ƒV[Eƒq[ƒX(bass)^ƒRƒj[EƒPƒC(drums)n
‹ÈFƒƒbƒLƒ“EƒCƒ“EƒŠƒYƒ€^ƒGƒR[ƒY^ƒWƒƒƒ“ƒS^ƒTƒ}[ƒ^ƒCƒ€A‘¼‘S‚V‹È
[Žû˜^Fƒtƒ‰ƒCƒuƒ‹ƒN(‘æ‚T‰ñ‘Û‰¹ŠyÕ)A‚P‚X‚W‚V”N‚UŒŽ]
‚b‚r ‚U‚O•ª@ ‚m‚D‚o‚h‚k‚i|‚P‚P‚Q‚O
ƒ‚ƒ_ƒ“EƒWƒƒƒYEƒJƒ‹ƒeƒbƒgDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚f‚S|‚T‚P„
wƒ‚ƒ_ƒ“EƒWƒƒƒYEƒJƒ‹ƒeƒbƒg^ƒAƒjƒo[ƒTƒŠ[EƒRƒ“ƒT[ƒg@‚u‚‚ŒD‚QF
ƒAƒ‰ƒ“ƒtƒFƒX‹¦‘t‹Èx
The Modern Jazz Quartet/ Aniversary concert Vol.2F40 years of MJQ
from the Stuttgarter Jazzgipfel 1992(MJQ and Kammerorchester Arcata).
oFƒ‚ƒ_ƒ“EƒWƒƒƒYEƒJƒ‹ƒeƒbƒgmƒWƒ‡ƒ“Eƒ‹ƒCƒX(pf.)^ƒ~ƒ‹ƒgEƒWƒƒƒNƒ\
ƒ“(vib.)^ƒp[ƒV[Eƒq[ƒX(bass)^ƒRƒj[EƒPƒC(drums)n
ŠöFƒpƒgƒŠƒbƒN¥ƒVƒ…ƒgƒDƒ‹ƒv@‘tFƒAƒ‹ƒJƒ^¥ƒVƒ…ƒcƒbƒgƒKƒ‹ƒgŽº“àŠÇŒ·Šy’c
‹ÈFƒI[ƒvƒjƒ“ƒO^ŽO‚‚̑‹^ƒXƒPƒbƒ`^ƒAƒŒƒNƒTƒ“ƒ_[‚̃t[ƒK^ƒAƒ‰ƒ“
ƒtƒFƒX‹¦‘t‹È^ƒAEƒfƒCEƒCƒ“Eƒhƒuƒƒuƒj[ƒNA‘¼‘S‚U‹È
[Žû˜^FƒVƒ…ƒcƒbƒgƒKƒ‹ƒgA‚P‚X‚X‚Q”N‚VŒŽ‚Q“ú]
‚b‚r ‚U‚O•ª@ ‚m‚D‚o‚h‚k‚i|‚P‚P‚Q‚P
ƒ‚ƒ“ƒ^ƒŒ[EƒWƒƒƒYEƒtƒFƒXƒeƒBƒoƒ‹@‚V‚T DDDDDDDƒ¿‹”Ô†F‚u‚f‚S|‚T‚V„
w‚l‚‚Ž‚”‚…‚’‚…‚™@‚i‚‚š‚š@‚e‚…‚“‚”‚‰‚–‚‚Œ@‚V‚Tx
oFH‹g•qŽq^ƒ|[ƒ‹¥ƒfƒYƒ‚ƒ“ƒh¥ƒJƒ‹ƒeƒbƒg^ƒrƒ‹EƒGƒ”ƒ@ƒ“ƒX^ƒfƒBƒW[
ƒKƒŒƒXƒs[EƒI[ƒPƒXƒgƒ‰^ƒ{ƒr[Eƒuƒ‹[Eƒuƒ‰ƒ“ƒh^ƒGƒ^EƒWƒF[ƒ€ƒX^
ƒ}ƒŠƒAƒ“Eƒ}ƒNƒp[ƒgƒ‰ƒ“ƒh^ƒsƒAƒmEƒvƒŒƒCƒnƒEƒX^ƒuƒ‰ƒbƒhEƒXƒEƒFƒbƒg
•ƒeƒBƒA[ƒY^ƒWƒ‡ƒ“Eƒ‹ƒCƒXEƒZƒNƒXƒeƒbƒg^ƒ`ƒƒƒbƒNEƒ}ƒ“ƒWƒ‡[ƒlEƒJ
ƒ‹ƒeƒbƒg
‹ÈFJazz On The Beach/Henpecked Old Man/Emily/Up With The Lark/
Improvisation & Blues By Dizzy Gillespie/I wouldn't Treat A Dog, ‘¼‘S
‚P‚R‹È
‚b‚l ‚U‚O•ª ‚m‚D‚s‚n‚k‚v|‚R‚P‚U‚U
ƒ‚ƒ“ƒgƒ‹[EƒWƒƒƒYEƒtƒFƒXƒeƒBƒoƒ‹@‚u‚‚ŒD‚PDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚S‚T„
wMontreux Jazz Festival Vol.1: J. A. T. P. ƒRƒ“ƒT[ƒgx
oF‚i.‚`.‚s.‚o.(ƒNƒ‰[ƒN¥ƒeƒŠ[^ƒƒCEƒGƒ‹ƒhƒŠƒbƒW^ƒxƒj[EƒJ[ƒ^[
^ƒY[ƒgEƒVƒ€ƒY^ƒWƒ‡[EƒpƒX^ƒgƒ~[Eƒtƒ‰ƒiƒKƒ“A‘¼)
‹ÈFƒtƒH[Eƒ†[^ŒÍ—t^ƒTƒ“ƒfƒC^ƒCƒtEƒAƒCEƒnƒbƒhEƒ†[^ƒAƒCEƒl
ƒo[Eƒjƒ…[@
[Žû˜^FƒXƒCƒXEƒ‚ƒ“ƒgƒ‹[C@‚P‚X‚V‚T”N‚VŒŽ‚P‚U“ú]
oFƒGƒ‰EƒtƒBƒbƒcƒWƒFƒ‰ƒ‹ƒh^ƒgƒ~[Eƒtƒ‰ƒiƒKƒ“EƒgƒŠƒIA‘¼
‹ÈFƒgƒDEƒNƒ[ƒXEƒRƒ“ƒtƒH[ƒg^ƒ}ƒCEƒ}ƒ“^ƒTƒ“ƒVƒƒƒCƒ“EƒIƒuEƒ}ƒCE
ƒ‰ƒCƒtA‘¼‘S‚P‚O‹È@
[Žû˜^FƒXƒCƒXEƒ‚ƒ“ƒg[ƒ‹A‚P‚X‚V‚V”N‚VŒŽ‚P‚S“ú]
‚b‚r@@@‚P‚O‚R•ª ‚m‚D‚r‚l‚O‚U‚T|‚R‚R‚P‚P
ƒ‚ƒ“ƒgƒ‹[EƒWƒƒƒYEƒtƒFƒXƒeƒBƒoƒ‹@‚u‚‚ŒD‚QDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚S‚U„
wMontreux Jazz Festival Vol.2FƒUEƒsƒAƒmEƒ}ƒXƒ^[ƒYx
oFƒŒƒCEƒuƒ‰ƒCƒAƒ“ƒg@
‹ÈF‚`—ñŽÔ‚Ås‚±‚¤^ƒWƒ‡[ƒWƒAEƒIƒ“Eƒ}ƒCEƒ}ƒCƒ“ƒh^ƒWƒƒƒ“ƒS^ƒZƒ“ƒg
ƒ‹ƒCƒXEƒuƒ‹[ƒXA‘¼‘S‚P‚O‹È
oFƒgƒ~[Eƒtƒ‰ƒiƒKƒ“ƒgƒŠƒI@
‹ÈFƒoƒ‹ƒoƒhƒX^ƒq[ƒgEƒEƒFƒCƒu^ƒuƒ‹[Eƒ{ƒbƒTA‘¼‘S‚U‹È@
[Žû˜^F‚P‚X‚V‚V”N‚VŒŽ‚P‚R“ú]
‚b‚r@@@‚P‚O‚O•ª ‚m‚D‚r‚l‚O‚U‚T|‚R‚R‚P‚Q
ƒ‚ƒ“ƒgƒ‹[EƒWƒƒƒYEƒtƒFƒXƒeƒBƒoƒ‹@‚u‚‚ŒD‚RDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚S‚V„
wMontreux Jazz Festival Vol.3Fƒ\ƒ•ƒgƒŠƒIx
oFƒIƒXƒJ[Eƒs[ƒ^[ƒ\ƒ“^ƒj[ƒ‹ƒXEƒyƒfƒ‹ƒZƒ“^ƒŒƒCEƒuƒ‰ƒEƒ“
‹ÈF—ö‚É—ö‚µ‚Ä^ƒCƒ“ƒfƒBƒAƒi^ƒs[ƒvƒ‹A‘¼‘S‚X‹È
[Žû˜^F‚P‚X‚V‚V”N‚VŒŽ‚P‚T“ú]
oFƒƒŠ[Eƒ‹[EƒEƒCƒŠƒAƒ€ƒX
‹ÈF“ø‚̔ޕû‚É^ƒUEƒ}ƒ“EƒAƒCEƒ‰ƒu^ƒnƒj[¥ƒTƒbƒNƒ‹¥ƒ[ƒYA‘¼‘S‚W‹È
[Žû˜^F‚P‚X‚V‚W”N‚VŒŽ‚P‚U“ú]
‚b‚r ‚X‚V•ª ‚m‚D‚r‚l‚O‚U‚T|‚R‚R‚P‚R
ƒ‚ƒ“ƒgƒ‹[EƒWƒƒƒYEƒtƒFƒXƒeƒBƒoƒ‹@‚u‚‚ŒD‚SDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚S‚W„
wMontreux Jazz Festival Vol.4FƒGƒbƒZƒ“ƒXEƒIƒuEƒWƒƒƒYx
oFƒJƒEƒ“ƒgEƒxƒCƒV[EƒrƒbƒOEƒoƒ“ƒh@
‹ÈFƒUEƒq[ƒcEƒIƒ“^ƒ`ƒ…ƒjƒWƒA‚Ì–é^ƒtƒ@ƒ“ƒeƒCƒ‹A‘¼‘S‚P‚O‹È
[Žû˜^F‚P‚X‚V‚V”N‚VŒŽ‚P‚T“ú]
oFƒ~ƒ‹ƒgEƒWƒƒƒNƒ\ƒ“^ƒŒƒCEƒuƒ‰ƒEƒ“A‘¼@
‹ÈFƒXƒŠƒbƒpƒŠ[^ƒŒƒbƒhEƒgƒbƒv^ƒ†[EƒA[Eƒ}ƒCEƒTƒ“ƒVƒƒƒCƒ“A‘¼
[Žû˜^F‚P‚X‚V‚V”N‚VŒŽ‚P‚R“ú]
‚b‚r ‚X‚R•ª ‚m‚D‚r‚l‚O‚U‚T|‚R‚R‚P‚S
ƒ‚ƒ“ƒgƒ‹[EƒWƒƒƒYEƒtƒFƒXƒeƒBƒoƒ‹@‚u‚‚ŒD‚TDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚S‚X„
wMontreux Jazz Festival Vol.5FƒUEƒgƒ‰ƒ“ƒyƒbƒgEƒ}ƒXƒ^[ƒYx
oFƒfƒBƒW[EƒKƒŒƒXƒs[(tpt.)^ƒŒƒCEƒuƒ‰ƒEƒ“(bas)^ƒWƒ~[EƒXƒ~ƒX
idrumsj‘¼@
‹ÈFƒK[ƒ‹EƒIƒuEƒ}ƒCEƒhƒŠ[ƒ€ƒX^ƒqƒAEƒeƒBƒXA‘¼‘S‚U‹È
[Žû˜^F‚P‚X‚V‚V”N‚VŒŽ‚P‚S“ú]
oFƒƒCEƒGƒ‹ƒhƒŠƒbƒW(tpt.)^ƒIƒXƒJ[Eƒs[ƒ^[ƒ\ƒ“(pf.)A‘¼@
‹ÈFâ‘Îâ–½^ƒuƒ‹[ƒX^ƒoƒCEƒoƒCEƒuƒ‰ƒbƒNƒo[ƒhA‘¼‘S‚U‹È
[Žû˜^F‚P‚X‚V‚V”N‚VŒŽ‚P‚R“ú]
‚b‚r ‚X‚X•ª ‚m‚D‚r‚l‚O‚U‚T|‚R‚R‚P‚T
ƒ‚ƒ“ƒgƒ‹[EƒWƒƒƒYEƒtƒFƒXƒeƒBƒoƒ‹@‚u‚‚ŒD‚UDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚T‚O„
wMontreux Jazz Festival Vol.6FƒgƒDEƒTƒbƒNƒXx
oFƒxƒj[EƒJ[ƒ^[(alto sax. & tpt.)^ƒŒƒCEƒuƒ‰ƒEƒ“(bass)^ƒWƒ~[E
ƒXƒ~ƒX(drums) A‘¼@
‹ÈFƒXƒŠ[EƒŠƒgƒ‹Eƒ[ƒY^ƒqƒAƒYEƒUƒbƒgEƒŒƒCƒj[EƒfƒCA‘¼‘S‚V‹È@
[Žû˜^F‚P‚X‚V‚V”N‚VŒŽ‚P‚R“ú]
oFƒGƒfƒBEƒƒbƒNƒWƒ‡[EƒfƒCƒrƒX(ten. sax.)^ƒIƒXƒJ[Eƒs[ƒ^[ƒ\ƒ“
(pf.)^ƒŒƒCEƒuƒ‰ƒEƒ“(bass)^ƒWƒ~[EƒXƒ~ƒX(drums) A‘¼@
‹ÈFƒWƒXEƒLƒƒƒ“ƒgEƒr[Eƒ‰ƒu^‚»‚æ•—‚ÆŽ„^ƒuƒ‹[Eƒ‹[A‘¼‘S‚T‹È
[Žû˜^F‚P‚X‚V‚V”N‚VŒŽ‚P‚T“ú]
‚b‚r ‚V‚U•ª ‚m‚D‚r‚l‚i‚O‚U‚T|‚R‚R‚P‚U
ƒ‚ƒ“ƒgƒ‹[EƒWƒƒƒYEƒtƒFƒXƒeƒBƒoƒ‹@‚u‚‚ŒD‚VDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚T‚P„
wMontreux Jazz Festival Vol.7FƒA[ƒgEƒIƒuEƒWƒƒƒ€ƒZƒbƒVƒ‡ƒ“x
oFƒJƒEƒ“ƒgEƒxƒCƒV[(pf.)^ƒj[ƒ‹ƒXEƒyƒfƒ‹ƒZƒ“(bass)A‘¼@
@@@@@‹ÈFƒrƒŠ[ƒYEƒoƒEƒ“ƒX^ƒ‚ƒ“ƒgƒ‹[Eƒuƒ‹[ƒX‚h‚hA‘¼‘S‚S‹È
[Žû˜^F‚P‚X‚V‚T”N‚VŒŽ‚P‚X“ú]
oFƒNƒ‰[ƒNEƒeƒŠ[(flg.)^ƒIƒXƒJ[Eƒs[ƒ^[ƒ\ƒ“(pf.)^ƒj[ƒ‹ƒXEƒy
ƒfƒ‹ƒZƒ“(bass) A‘¼@
‹ÈFƒ}ƒCƒi[Eƒuƒ‹[ƒX^ƒIƒ‹ƒtƒF‚̃Tƒ“ƒo^ƒhƒiEƒŠ[A‘¼‘S‚U‹È@
[Žû˜^F‚P‚X‚V‚V”N‚VŒŽ‚P‚S“ú]
‚b‚r@@@‚P‚P‚O•ª ‚m‚D‚r‚l‚i‚O‚U‚T|‚R‚R‚P‚V
ƒ‚ƒ“ƒgƒ‹[EƒWƒƒƒYEƒtƒFƒXƒeƒBƒoƒ‹@‚u‚‚ŒD‚WDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚T‚Q„
wMontreux Jazz Festival Vol.8FƒUEƒWƒƒƒYEƒMƒ^[x
oFƒWƒ‡[EƒpƒX(guit.)A‘¼@
‹ÈFƒTƒ}[ƒ^ƒCƒ€^ƒjƒiƒYEƒuƒ‹[ƒX^ƒ‚ƒ“ƒgƒ‹[Eƒ`ƒFƒ“ƒW^ƒ}ƒXƒJƒŒ[ƒh
‘¼‘S‚P‚P‹È@
[Žû˜^F‚P‚X‚V‚T”N‚VŒŽ‚P‚W“úA‚P‚X‚V‚V”N‚VŒŽ‚P‚T“ú]
‚b‚r@@@@‚T‚Q•ª ‚m‚D‚r‚l‚O‚T‚T|‚R‚R‚P‚W
ƒWƒƒƒY • ƒtƒ…[ƒWƒ‡ƒ“–ÚŽŸ
mƒ„sn
ŽR‰º—m•ã DDDDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚R‚R„
wŽR‰º—m•ã^ƒ‰ƒCƒuEƒAƒbƒgEƒXƒEƒB[ƒgEƒxƒCƒWƒ‹x
"Yosuke Yamashita" live at Sweet Basil.
oFŽR‰º—m•ã(pf.)
‹ÈFMt.Senba/Rhythm-a-ning/My one and only love/A night in Tunisia/It
don't mean a thing.
[Žû˜^Fƒjƒ…[ƒˆ[ƒNAƒXƒEƒB[ƒgEƒxƒCƒWƒ‹A‚P‚X‚W‚T”N‚WŒŽ‚Q‚V“ú]
‚b‚r ‚S‚X•ª ‚m‚D‚T‚P‚R‚R|‚P‚X
ƒWƒƒƒY • ƒtƒ…[ƒWƒ‡ƒ“–ÚŽŸ
mƒ‰sn
ƒ‰ƒeƒ“Eƒtƒ@ƒ~ƒŠƒA
w‚i‚‚š‚š‚–‚‰‚“‚‰‚‚ŽD‚Tx‚ðŒ©‚æB
ƒ‰ƒŠ[EƒJ[ƒ‹ƒgƒ“DDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚c‚R|‚P‚W„
wƒ‰ƒŠ[EƒJ[ƒ‹ƒgƒ“^ƒ‰ƒCƒuEƒAƒbƒgEƒUEƒ[ƒtƒB[ƒ‹ƒhx
‚k‚‚’‚’‚™@‚b‚‚’‚Œ‚”‚‚Ž@‚k‚‰‚–‚…D
oFLarry Carlton(guit.)/John Ferraro(drums)/John Pena(bass)^Terry
Trotter(keyboads)/Kirk Whalum(sax.)
‹ÈFDont' give it up/Strikes twice/10 PM/Emotions wound us so/Room 335
‘¼‘S‚P‚Q‹È
[Žû˜^F»ÝÌ×ݼ½º¥Ü°Ì¨°ÙÄÞ¥¼±À°¤ 1987”N10ŒŽ25“ú]
‚b‚r ‚U‚O•ª ‚m‚D‚r‚l‚O‚T‚W|‚R‚Q‚S‚P
ƒ‰ƒ€ƒ[ƒCEƒ‹ƒCƒXDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚S‚Q„
wƒ‰ƒ€ƒ[ƒCEƒ‹ƒCƒXEƒJƒ‹ƒeƒbƒgEƒCƒ“Eƒ‚ƒ“ƒgƒŠƒI[ƒ‹x
‚q‚‚‚“‚…‚™@‚k‚…‚—‚‰‚“@‚p‚•‚‚’‚”‚…‚”@‚‰‚Ž@‚l‚‚Ž‚”‚’‚…‚‚ŒD
oFƒ‰ƒ€ƒ[ƒCEƒ‹ƒCƒX(pf.)^ƒwƒ“ƒŠ[EƒWƒ‡ƒ“ƒ\ƒ“(guit.)^ƒOƒŒƒbƒOEƒEƒC
ƒŠƒAƒ€ƒX(bass)^ƒtƒ‰ƒ“ƒNEƒhƒiƒ‹ƒhƒ\ƒ“(drums)
‹ÈF500 miles high/You are the reason/Spring high/Skippin,@‘¼‘S‚W‹È
[Žû˜^Fƒ‚ƒ“ƒgƒŠƒI[ƒ‹A‚P‚X‚W‚O”N]
‚b‚r ‚T‚W•ª ‚m‚D‚r‚l‚O‚T‚W|‚O‚O‚U‚P
ƒŠ[EƒŠƒgƒi[•ƒtƒŒƒ“ƒYDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚c‚R|‚R„
wƒŠ[EƒŠƒgƒi[•ƒtƒŒƒ“ƒYEƒ‰ƒCƒ”@‚u‚‚ŒD‚Px
Lee Ritenour & Friends/Live from The Coconut Grove.
oFƒŠ[EƒŠƒgƒi[(guit.)•ƒtƒŒƒ“ƒY
‹ÈFNight rhythms/Harlequin/Malibu/Up-town/Preta porte de Tafeta/Etude
/Latin lovers/Asa, ‘¼‘S‚P‚O‹È
(ƒUEƒX[ƒp[ƒZƒbƒVƒ‡EƒXƒyƒVƒƒƒ‹)
[Žû˜^FƒƒTƒ“ƒWƒFƒ‹ƒX“8ƒRƒRƒiƒbƒcEƒOƒ[ƒ”“8, 1989”N12ŒŽ8“ú]
‚bŽš‚r ‚T‚W•ª ‚m‚D‚u‚`‚k‚i|‚R‚P‚R‚Q
ƒŠ[EƒŠƒgƒi[•ƒtƒŒƒ“ƒYDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚c‚R|‚S„
wƒŠ[EƒŠƒgƒi[•ƒtƒŒƒ“ƒYEƒ‰ƒCƒ”@‚u‚‚ŒD‚Qx
Lee Ritenour & Friends/Live from The Coconut Grove.
oFƒŠ[EƒŠƒgƒi[(guit.)•ƒtƒŒƒ“ƒY
‹ÈF24th Street blues/Stolen moments/Love is the key/Better than any-
thing/Everything's gonna be all right/Westchester lady, ‘¼‘S‚W‹È
[ƒUEƒX[ƒp[ƒZƒbƒVƒ‡EƒXƒyƒVƒƒƒ‹]
[Žû˜^FƒƒTƒ“ƒWƒFƒ‹ƒX“8ƒRƒRƒiƒbƒcEƒOƒ[ƒ”“8, 1989”N12ŒŽ8“ú]
‚bŽš‚r ‚T‚W•ª ‚m‚D‚u‚`‚k‚i|‚R‚P‚R‚R
ƒ‹ƒCEƒA[ƒ€ƒXƒgƒƒ“ƒODDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚c‚R|‚P‚U„
wƒTƒbƒ`ƒ‚@ƒ‹ƒCEƒA[ƒ€ƒXƒgƒƒ“ƒO^‚»‚ÌŒ|p‚Æl‚Ì‚·‚ׂÄx
‚r‚‚”‚ƒ‚ˆ‚‚^‚k‚‚•‚‰‚“@‚`‚’‚‚“‚”‚’‚‚Ž‚‡D
‚P‚X‚W‚U@•Ä@ŠÄFƒQƒCƒŠ[EƒMƒfƒ“ƒY^ƒPƒ“ƒhƒŠƒbƒNEƒVƒ‚ƒ“ƒY@ƒiFƒnƒe
ƒB[EƒEƒBƒ“ƒXƒgƒ“@oFƒ‹ƒCEƒA[ƒ€ƒXƒgƒƒ“ƒO^ƒEƒBƒ“ƒgƒ“Eƒ}ƒ‹ƒTƒŠƒX
^ƒŒƒXƒ^[Eƒ{ƒEƒC^ƒgƒj[Eƒxƒlƒbƒg^ƒfƒNƒXƒ^[EƒS[ƒhƒ“^ƒfƒCƒ”Eƒu
ƒ‹[ƒxƒbƒNA‘¼@‹ÈFƒnƒ[Eƒh[ƒŠ[I^ƒ_ƒCƒi^”gŽ~ê‚É‚½‚½‚¸‚Ý^ƒZE
ƒVEƒ{ƒ“^ƒiƒEEƒ†[EƒnƒYEƒWƒƒƒY^ƒƒbƒLƒ“Eƒ`ƒFƒA^ƒVƒƒƒCƒ“^
ƒ}ƒbƒNEƒUEƒiƒCƒtA‘¼
‚bB&WŽš‚l ‚W‚U•ª ‚m‚D‚r‚q‚k‚l‚W‚O‚U
ƒ‹ƒCEƒA[ƒ€ƒXƒgƒƒ“ƒOEƒI[ƒ‹EƒXƒ^[ƒYDDDDDDDƒ¿‹”Ô†F‚u‚f‚S|‚R‚U„
w‚k‚‚•‚‰‚“@‚`‚’‚‚“‚”‚’‚‚Ž‚‡@•@‚g‚‰‚“@‚`‚Œ‚Œ@‚r‚”‚‚’‚“x
oFƒ‹ƒCEƒA[ƒ€ƒXƒgƒƒ“ƒO(tpt. & vocal.)EƒI[ƒ‹EƒXƒ^[ƒY^ƒWƒ…ƒEƒF
ƒ‹Eƒuƒ‰ƒEƒ“(vocal.)
‹ÈF“ì•”‚Ì‚½‚»‚ª‚ê^ƒCƒ“ƒfƒBƒAƒi^ƒ‰ƒ[Eƒh[ƒŠ[I^¹ŽÒ‚Ìsi‹È^
ƒLƒƒƒoƒŒ[^¢ŠE‚͈¤‚ð‹‚ß‚Ä‚é^ƒ}ƒbƒNEƒUEƒiƒCƒtA‘¼‘S‚P‚X‹È
[Žû˜^Fƒtƒ‰ƒ“ƒXAƒAƒ“ƒeƒB[ƒuEƒWƒƒƒYEƒtƒFƒXƒeƒBƒ”ƒ@ƒ‹A1967”N7ŒŽ26“úA27“ú]
(‚u‚‰‚Ž‚”‚‚‡‚…@‚i‚‚š‚š@‚b‚‚Œ‚Œ‚…‚ƒ‚”‚‰‚‚Ž)
B&W‚l @‚T‚O•ª ‚m‚D‚s‚n‚k‚v|‚R‚P‚O‚W
ƒŒƒfƒB[ƒXEƒVƒ“ƒOEƒUEƒuƒ‹[ƒXDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚V‚O„
wƒŒƒfƒB[ƒXEƒVƒ“ƒOEƒUEƒuƒ‹[ƒXx
‚s‚ˆ‚…@‚k‚‚„‚‰‚…‚“@‚“‚‰‚Ž‚‡@‚”‚ˆ‚…@‚‚‚Œ‚•‚…‚“D
oFƒxƒbƒV[EƒXƒ~ƒX^ƒGƒZƒ‹EƒEƒH[ƒ^[ƒYEƒEƒBƒY¥ƒJƒEƒ“ƒg¥ƒxƒCƒV[E
ƒI[ƒPƒXƒgƒ‰^ƒrƒŠ[EƒzƒŠƒfƒBEƒEƒBƒYEƒR[ƒ‹ƒ}ƒ“Eƒz[ƒLƒ“ƒXAƒŒƒX
ƒ^[Eƒ„ƒ“ƒOAƒxƒ“EƒEƒFƒuƒXƒ^[AƒƒCEƒGƒ‹ƒhƒŠƒbƒWAƒWƒFƒŠ[Eƒ}ƒŠƒK
ƒ“^ƒAƒCƒ_EƒRƒbƒNƒXEƒEƒBƒYEƒWƒFƒV[EƒNƒ‰ƒ“ƒ€^ƒVƒXƒ^[Eƒƒ[ƒbƒ^E
ƒT[ƒv^ƒRƒj[Eƒ{ƒXƒEƒFƒ‹^ƒ_ƒCƒiEƒƒVƒ“ƒgƒ“^ƒ‹[ƒXEƒuƒ‰ƒEƒ“^ƒŠ
ƒiEƒz[ƒ“EƒEƒBƒYEƒeƒfƒBEƒEƒBƒ‹ƒ\ƒ“EƒI[ƒPƒXƒgƒ‰^ƒTƒ‰Eƒ{[ƒ“^ƒw
ƒŒƒ“Eƒqƒ…[ƒ€ƒYEƒEƒBƒYEƒJƒEƒ“ƒgEƒxƒCƒV[EƒI[ƒPƒXƒgƒ‰^ƒyƒM[E
ƒŠ[EƒEƒBƒYEƒxƒj[EƒOƒbƒhƒ}ƒ“EƒI[ƒPƒXƒgƒ‰^ƒyƒM[EƒŠ[EƒEƒBƒY
EƒfƒCƒuEƒo[ƒo[
‹ÈFƒZƒ“ƒg¥ƒ‹ƒCƒX¥ƒuƒ‹[ƒX^ƒtƒ@ƒCƒ“EƒAƒ“ƒhEƒƒƒE^ƒŠ[ƒ“EƒxƒCƒr[
^ƒAƒ“ƒ‰ƒbƒL[EƒE[ƒ}ƒ“^ƒzƒƒCEƒhƒ“ƒgEƒ†[EƒhƒDEƒ‰ƒCƒgHA
‘¼‘S‚P‚V‹È
B&W‚l ‚T‚X•ª ‚m‚D‚o‚h‚k‚i|‚P‚O‚P‚S
ƒƒ“EƒJ[ƒ^[DDDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚c‚R|‚P‚R„
w‚q‚‚Ž@‚b‚‚’‚”‚…‚’@‚Œ‚‰‚–‚…@‚c‚‚•‚‚‚Œ‚…@‚a‚‚“‚“x
oFƒƒ“EƒJ[ƒ^[(piccolo bass)^ƒ[ƒ‰ƒ“ƒhEƒnƒi(pf.)^ƒ‹ƒCƒXEƒiƒb
ƒVƒ…(drums)^ƒŒƒIƒ“EƒƒCƒ‹ƒ\ƒ“(bass)^ƒPƒjƒƒ[ƒeEƒAƒuƒhƒD[ƒ‹Eƒ‰[
ƒ}ƒ“(perc.)
‹ÈFƒ_ƒuƒ‹Eƒx[ƒX^ƒŠƒgƒ‹Eƒƒ‹ƒc^ƒuƒ‹[ƒXEƒtƒH[‚c.‚o.^ƒT[ƒhEƒu
ƒŒƒCƒ“^ƒGƒCƒg`ƒ}ƒU[ƒŒƒXEƒ`ƒƒƒCƒ‹ƒhA‘¼‘S‚V‹È
[Žû˜^F“Œ‹žA‚m‚g‚j‚P‚O‚PƒXƒ^ƒWƒIA‚P‚X‚W‚U”N‚TŒŽ‚R‚O“ú]
‚b‚r@@@@‚T‚T•ª ‚m‚D‚u‚`‚k|‚R‚W‚Q‚O
ƒWƒƒƒY • ƒtƒ…[ƒWƒ‡ƒ“–ÚŽŸ
mƒsn
“n•Ó’å•v DDDDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚R‚P„
w“n•Ó’å•v^ƒ}ƒCƒVƒƒ[x
‚l‚‚‰‚“‚ˆ‚G‚s‚ˆ‚…@‚”‚…‚‚’‚“@‚‚†@‚`‚†‚’‚‰‚ƒ‚D
‹ÈFRoad song/Desert ride/Paysages/Maisha,@‘¼‘S‚W‹È
‚b‚r ‚S‚T•ª ‚m‚D‚O‚V‚v‚k|‚X
ƒƒ“EƒiƒCƒgEƒEƒBƒYEƒuƒ‹[ƒm[ƒg@‚u‚‚ŒD‚P
DDDDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚Q‚V„
w"One night with Blue Note" preserved vol.1x
oFƒn[ƒr[¥ƒnƒ“ƒRƒbƒN(pf.)^ƒtƒŒƒfƒBEƒnƒo[ƒh(tpt.)^ƒƒ“¥ƒJ[ƒ^[
(bass)^ƒA[ƒgEƒuƒŒƒCƒL[(drums)^ƒgƒj[EƒEƒBƒŠƒAƒ€ƒX(drums)^ƒXƒ^ƒ“
ƒŠ[EƒWƒ‡[ƒ_ƒ“(guit.)^ƒJ[ƒeƒBƒXEƒtƒ‰[(tb.)^ƒ{ƒr[Eƒnƒbƒ`ƒƒ[ƒ\
ƒ“(vib.)/ƒxƒj[EƒEƒHƒŒƒX(ten. sax.)A‘¼
‹ÈFƒu[ƒP^ƒLƒƒƒ“ƒeƒ‹[ƒvEƒAƒCƒ‰ƒ“ƒh^¯‚ÉŠè‚¢‚ð^ƒWƒƒƒ“ƒsƒ“EƒWƒƒƒb
ƒN^ƒ‚[ƒjƒ“^ƒuƒ[ƒhƒTƒCƒh^ƒŠƒgƒ‹‚a's ƒ|ƒGƒ€
[Žû˜^Fƒjƒ…[ƒˆ[ƒNAƒ^ƒEƒ“ƒz[ƒ‹A‚P‚X‚W‚T”N‚QŒŽ‚Q‚Q“ú]
‚b‚r ‚T‚X•ª ‚m‚D‚k‚O‚V‚W|‚P‚O‚Q‚V
ƒƒ“EƒiƒCƒgEƒEƒBƒYEƒuƒ‹[ƒm[ƒg@‚u‚‚ŒD‚Q
DDDDDDDDDDDDDDDDDDDDDƒ¿‹”Ô†F‚u‚e‚P‚P|‚Q‚W„
w"One night with Blue Note" preserved vol.2x
oFƒPƒj[EƒoƒŒƒ‹(guit.)^ƒ}ƒbƒRƒCEƒ^ƒCƒi[(pf.)^ƒZƒVƒ‹EƒeƒCƒ‰[
(pf.)^ƒWƒƒƒbƒL[Eƒ}ƒNƒŠ[ƒ“(alto sax.)^ƒEƒfƒBEƒVƒ‡ƒE(tpt.)^ƒ`ƒƒ[
ƒ‹ƒXEƒƒCƒh(ten. sax, fl.)^ƒ‹[Eƒhƒiƒ‹ƒhƒ\ƒ“(alto sax.)^ƒWƒ~[EƒX
ƒ~ƒX(org.)^ƒWƒƒƒbƒNEƒfƒBƒWƒ‡ƒlƒbƒg(drums.)A‘¼
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ƒVƒ“ƒO^ƒg[ƒ“Eƒ|ƒGƒ€^ƒŒƒfƒBEƒfƒC^ƒuƒ‹[ƒXEƒEƒH[ƒN^ƒ|ƒ“ƒgƒXEƒJ
ƒ“ƒ^[ƒhƒX
[Žû˜^Fƒjƒ…[ƒˆ[ƒNAƒ^ƒEƒ“ƒz[ƒ‹A‚P‚X‚W‚T”N‚QŒŽ‚Q‚Q“ú]
‚b‚r ‚T‚T•ª ‚m‚D‚k‚O‚V‚W|‚P‚O‚Q‚W
ƒWƒƒƒY • ƒtƒ…[ƒWƒ‡ƒ“–ÚŽŸb–ÚŽŸ‚Ö–ß‚é